<p>what’s up everyone scattered from Trouble Studios today<br />we are finally gonna be looking at these Hertz Drums<br />now I’ve been sneaking this<br />drums into a number of songs already<br />on the channel you heard these drums for example<br />on the Solar Guitar demo that I did<br />these are the same drums<br />now if Hertz is kind of ringing a bell for you<br />that’s because this drum library has been created by<br />Hertz Studio yes<br />the exact same studio that’s worked with behemoth<br />Vader Hate<br />yes<br />they the literally that famous Polish um metal studio<br />they have created their own drum livering out<br />one of the reasons I was really excited about this<br />is because the guys that hurts<br />have a very interesting way that they work on drums<br />right yes<br />they can sound programmed and they can sound plastic<br />and they can sound really sampled<br />but somehow they have the attack of the bite<br />and they cut through the mix<br />so the great thing about this is the processing<br />and the genius of those guys<br />and how they have worked on drums<br />for the last 20 years or more<br />is now in this plugin<br />and we get to use it and it’s fantastic<br />so you heard the demo track here just now<br />the drums are great<br />very little work needs to go into the drums okay<br />so in this video I wanna<br />go over a couple of the most unique aspects of this<br />because I mean a drum library<br />is a drum library right<br />we pretty much got the idea of what it’s supposed to be<br />what you’re supposed to be able to do<br />and there are a couple things that set this one apart<br />so first and foremost let’s kind of close this actually<br />and let’s show you the MIDI okay<br />cause the first thing you’re gonna notice is<br />the MIDI looks complicated<br />and that comes down to the fact that they have sampled<br />the like for example<br />Tom 2 center and Tom 2 side<br />now there’s only one other library<br />that I personally know of<br />that did this and it did it five or six years ago<br />and that was stigmatized drums<br />from a company out in Greece<br />where they sampled a<br />essentially a right hand and a left hand<br />now<br />Tom center and Tom side is basically the same thing<br />cause if you think about it<br />when you’re playing drums<br />if you come and you start playing<br />you’re actually never playing directly in the center<br />when you’re taking two hands<br />so it’s very common you know<br />how many times have you seen this right<br />if you go to a drum a drummer’s Tom for example<br />and the really good drummers have a hole like that<br />where they always hit in the dead center of the drum<br />really bad drummers<br />it’s like they hit the drum wherever<br />and there are different total aspects of the drum<br />if you don’t hit it dead center okay<br />so this makes humanizing the drums<br />even more interesting because you can basically go<br />okay I have a dead center hit and then I hit<br />have a hit that’s a little bit off to the side<br />and that helps<br />create a difference in the tone of the drum<br />so instead of having just a drum machine Tom sound<br />you can get already a different articulation<br />just because<br />it’s a different part of the drum being sampled um<br />then it’s up to you to humanize it correctly<br />now<br />the other thing here is that they have snare edge side<br />rim shot center rim shot side cross stick<br />a lot of dynamics on the snare<br />this is pretty unusual<br />often you’ll see like center edge rim shot stick<br />that’s<br />that’s usually the bare bones of what a good library<br />should have<br />we’ve got center edge center side edge side you know<br />and all these different articulations<br />lend itself to certain plane mechanics<br />you know if you’re laying into the snare<br />in a really slow groove like we are right here<br />you can see it’s definitely snare center<br />now if I’m doing more of a scape beat<br />it’s just by the way it works<br />sometimes we sort of will play off to the side<br />or we won’t hit as hard or both<br />which is what I’m simulating here<br />and then during very fast blast beat<br />I’m actually pushing the stick<br />way out to the side of the drum<br />cause that also happens<br />but it’s also helping accentuate<br />it’s also helping differentiate<br />the different articulations of the snare<br />so we don’t have the same snare center all the time<br />and have to work really hard<br />to make it sound different<br />to humanization<br />we can just use a different articulation<br />bring down the velocity a little bit<br />so to humanize it<br />and then we have a completely different result okay<br />so there are tons of articulations here to include<br />you know the Tom center and sides<br />we’ve got crash crash choke<br />all the stuff here<br />for symbols is pretty much part for the course<br />and what you would expect<br />we got ride tip ride side<br />ride bell ride<br />ride side<br />I don’t know why I put it like that and ride muted<br />you know that’s more of a crash bell obviously side tip<br />now the cool thing about this is<br />I didn’t do it in this song<br />cause I didn’t feel it needed<br />is you can go between like a ride side and a ride tip<br />and it changes<br />the articulation of how things will sound<br />I can show you very quickly so I just try to do this<br />I opted not to do it do it during that part<br />because most people will be fairly consistent<br />when they’re playing the ride<br />at that slow but tempo<br />it’s just Bing Bing Bing Bing Bing<br />so generally you’ll be pretty consistent<br />I just um<br />humanize the notes a little bit to get more of the dot<br />dot dot dot grew into it but um<br />this library works very well with fast music um<br />it’s just<br />it’s the way that the guys process the drums and<br />you know the transients are there<br />they poke through the mix<br />there’s a lot of snap and they just<br />it worked without sounding ridiculous<br />you know cause there are snares out there<br />where you just kind of tap it<br />and it’s an explosion I think<br />there’s a meme online<br />where someone’s doing a snare roll<br />and it’s just a machine gun<br />because you can do that<br />but here we still have an element of neutral<br />natural sounding drums<br />but they are processing the degree<br />that can work in a super dense mix<br />and not only<br />I’ll show you guys some of the presets later on<br />so these are the drums um<br />that I programmed and<br />the other cool thing that I really liked<br />about working with this<br />the great this is a side feature of why<br />I personally enjoy the Tom Center<br />and the Tom side you know<br />if I decide for example that you know what<br />there’s not enough differentiation<br />and velocity between the Tom rules<br />like they sound to machine<br />like instead of having to go again<br />through all of the Tom hits and select every other hit<br />again<br />we have the ability to just drag select like this<br />because I know the Tom sides are gonna be the weekend<br />and here we go I can just literally clicking drag<br />I have all of the left hand articulations<br />and I can move them up or down as needed<br />so it’s it’s definitely an aspect of speed here<br />that I really enjoy<br />um symbols<br />symbols are always the weakest point of a drum library<br />most of the symbols here are pretty cool<br />the only one<br />I personally don’t like that much is this one here<br />uh it’s a custom dark 20<br />it just in comparison like these are very snappy<br />and then that was just like really washy<br />for some reason um<br />don’t know why don’t know how it is<br />but you can sort of work with it by uh<br />increasing the um volume<br />either by the trim knob here or the actual volume knob<br />or decreasing the reverb and the amount of ambiance<br />um I don’t know<br />I just think that<br />that particular symbol really sticks out<br />it’s just like you have Bam Bam<br />super wash so<br />I would like to hear a more fast symbol there<br />instead of a washy slower one<br />um I’ll go over the interface here a little bit more<br />just a second but the<br />as far as using the drums<br />if you can program drums<br />this will be really easy and intuitive for you<br />to learn uh<br />set up your drum map correctly<br />and you’ll be totally fine<br />um I beta tested this<br />and in the beginning is loaded horrifically slow<br />uh there they have fixed that significantly<br />like right now I’m on the version 1 point uh<br />0.4<br />the loading times are significantly faster<br />like if I change a preset<br />it’s about 8 seconds when I loading from zero<br />it’s about 28 to 40 seconds<br />and generally I’m fine with that<br />cause if I’m loading something in<br />I’ve gone to you know<br />get a coffee or I’ve gone<br />go to the bathroom<br />or I’ve gone to see what my daughter is doing<br />I’m usually when I’m loading something in<br />in the beginning of the session<br />I’m generally not sitting here waiting<br />so it doesn’t bother me that much<br />now the UI itself very interesting you<br />I when you look at it it’s all self explanatory<br />you pretty much are used to seeing this<br />if you worked with other jungle libraries in the past<br />you got a mixer knob self explanatory<br />got all your faders here oh 10 channels<br />11 to 20 channels and then the groups<br />now the groups are already routed within the instrument<br />so if I press play<br />it’s already routing<br />you can’t really change or do anything about that<br />however it does mean that the ease of use is<br />oh my kicks are allowed I can<br />I have two options<br />I can come into the plug in itself and turn them down<br />or you know<br />if you are doing a massive<br />multiple output routing system<br />you can create the bus in your dot and do it which<br />you know why if they already have it in the plugging<br />I think that’s great<br />then you have the different libraries<br />and the samples that you can choose from here<br />you can select which instrument<br />either here or by clicking okay<br />so when you click for example<br />the kick or the snare<br />it shows right there what you’re selecting<br />or you can just come down here and select it yourself<br />um it’s good to have both ways<br />I think that’s pretty cool groups now<br />uh they are coming up with a lot of interesting groups<br />now if you look at this here<br />you’re gonna see a lot of time signatures<br />that you’re not used to seeing<br />and BPMs that you’re not used to seeing as well<br />so we have rock not 4<br />4 and here if you write a lot of interesting riffs 7 4<br />11 8 19<br />16 you’ve got groups for that<br />you’re not gonna have groups in many other situations<br />unless you program them yourselves<br />so funk new metal<br />rock know how the groups work<br />it’s like everything else you know you come down here<br />you click<br />click the play button cause we just click the square<br />something’s gonna happen come down here<br />hit the play button<br />and they obviously click the stop button to stop it<br />but here you have two rows of hi hats<br />two rows of rides<br />and then a row of mix so hi hat and ride intros<br />endings and fills<br />it’s pretty cool that instead of showing everything<br />you know and trying to put it in a timeline<br />you just got to use your ear<br />so if you press play and you’re like<br />cool I like that<br />that’s awesome then all you need to do is you can just<br />let me show you real quick<br />but jump out of here<br />just grab this little thing here<br />and drag it to your mini track<br />and boom there it is<br />and shows exactly how it was programmed<br />so if you’re having struggle<br />programming with this particular library<br />it’ll show you the velocities hearing how it worked<br />cool up here we have the preset library now um<br />they have different packs<br />so a blue a regular white pack<br />a blue pack as you can see here<br />alternative rock British pop<br />classic metal power metal<br />progressive rock<br />and these are all four different sounds<br />we’ll go through those a little bit later<br />alternative rock jank<br />funk pop<br />stoner and then I spend all my time in the white pack<br />cause I do metal or rock or rock metal right<br />and then um here you have the audio tab<br />this is where you do all of your routing<br />this is the MIDI so<br />you can change the articulation of<br />what note is playing what<br />so you can re map everything<br />they have a hertz default<br />if you click here for example<br />if you use any one of these<br />it’s already been pre arranged for you<br />so you don’t have to do it yourself<br />awesome I love it when<br />drum plugins do that because<br />it is kind of a pain in the ass sometimes<br />if you have different drum maps<br />and you’re trying to AB<br />or listen to different drum sounds<br />and you always are constantly like<br />oh Jesus I don’t have a drum mat for this<br />this is taken care of<br />these are the settings audio libraries<br />many libraries and then where they are located okay<br />now when we come up here to the mixer in the library<br />for example<br />we always have this right side shown okay<br />again let me show actually the this one okay<br />so the di which is the the actual close source<br />the sub<br />the effects if there are any and then overheads<br />ruining reverb<br />we have basically the same functionality over here<br />and the right side navigation bar<br />so if we click snare we are showing d I sub effects<br />these are where it’s routed<br />and then we can change how much of it that we want<br />if we want no overhead<br />like we want to just nuke the snare in the overheads<br />for some reason you can just turn it down<br />and the tool tip comes up and tells you overhead<br />microphone volume<br />takes a while for the tool tips to show<br />maybe that could be a little bit faster um<br />but you know it’s self explanatory here<br />now<br />the other thing to ambiance for every piece of the kit<br />you can see you can change how much reverb<br />or room that you want in it<br />sometimes in some libraries<br />the other super dry just like<br />oh my God bone dry<br />and you’re sitting there running in the dog<br />trying to pass through a bunch of<br />you know like<br />a room sound or reverb of some kind<br />to make the drums not so dry<br />here you can adjust that if I for example<br />hit the symbol<br />I change the directionality of it<br />and also the bigness of it<br />so the application of this could be<br />if you want to simulate a smaller drum room<br />for example<br />you’re like a really tight three piece of something<br />you can bring the drums in<br />which would be great<br />so you can keep that real intimate feel<br />so you have all of that here at your fingertips<br />which you can do I don’t remember apple pie<br />apple pie so let’s go back to<br />I guess it doesn’t matter<br />I have a preset here and then we have velocity settings<br />we can tell the instrument yep<br />we don’t want to play anything below 60<br />for example<br />also we don’t wanna play anything above 100 okay<br />generally I<br />I don’t touch these in general because I just<br />I only write MIDI at 1:15 velocity anyway<br />I will almost never do 1:20 or 1:27<br />if you guys are my metal drum programming course<br />you know all that already um<br />there you go<br />the dynamic knob here is exactly what it says<br />it sets the dynamic curve<br />so if you crank this to 1:27<br />you have no dynamics<br />there will be no soft touches or anything like that<br />I would recommend just to keep this at zero<br />keep and then don’t worry about<br />I wouldn’t touch this one at all okay<br />now the next thing here is reverse<br />it is exactly what it sounds like<br />it’s gonna reverse the sample<br />you might be thinking<br />why would you want to do that on drums<br />drums are transients how can you reverse a Tom pit<br />wrong wrong<br />how many times you’ve been programming drums<br />and you’re like man<br />will be really cool if I get like a little swell here<br />and then you know<br />went into the symbol correct okay<br />if you if you click so for example<br />let’s here’s the symbol right<br />now if I hit reverse and then<br />there we go<br />we can reverse the sample there<br />and use that for our swell okay<br />you can change the length<br />I can make a really long for example<br />okay and that helps make songs feel way more realistic<br />because sometimes if you’re programming these swells<br />like okay uh<br />you have to experiment like<br />do I need to do 60 fourth notes here<br />can I do 30 second triplets<br />how do I do the you know and sometimes<br />you start getting into the aspect of the symbol<br />and it sounds ridiculous so<br />it’s really neat that there’s a reverse function here<br />that you can use if you want to reverse a symbol<br />hit something like that not to be outdone<br />of course Hertz Drums as far as I can tell<br />it’s all about control of your jumps all right<br />we even have the ASDR curve<br />so attack so attack like a release<br />sustain and decay now these are this particular<br />module will be great for shipping your symbols<br />for example um again<br />we have the symbol here<br />this is off okay<br />for example the release is off<br />that means that the symbol is just<br />gonna go until the sample ends<br />so however it was sampled is however it will play<br />but if we wanna turn this on<br />you know we start delegating milliseconds to it<br />you know we’re telling the sample okay<br />you need to stop playing after<br />you know 12 milliseconds<br />why would this be important<br />so if you’re noticing for example<br />like man my symbols are just going on forever<br />I don’t want them to go on forever<br />they’re mudding up the mixer<br />they’re getting in the way of the vocals<br />you can come in here<br />and you can basically tell the program<br />you know chill out<br />just cut off the symbols after X amount of time okay<br />and that way<br />you can clean up that part of the frequency spectrum<br />for your vocals<br />or whatever it is that you’re doing up there<br />and it’s just more control of the program itself um<br />if you don’t have this in the drum program<br />um programming<br />there’s no way to control the actual samples<br />and the length of it you just kind of shit out of luck<br />you know it’s really annoying<br />and it’s one of those things where<br />I didn’t realize how cool this was<br />until I was looking at Hertz Drums and playing with<br />and going oh okay<br />wow would have been cool if I was using that<br />the other day on this other mixer<br />I was having<br />the exact same problem that I just described<br />so it’s just options<br />lots of cool things that you can do<br />with the sounds of the drums<br />to control and help keep your drum sound tight<br />or expansive<br />or to get out of the way of other elements of<br />of the song okay<br />so once you look up the UI<br />you understand it super simple<br />it’s not difficult at all<br />it’s everything that you would expect to see<br />in any library no routing<br />things like that okay and they sound great<br />they’re really great they have a really unique sound<br />I really like using these for fast tempo music now<br />so that solo demo that I did this demo<br />obviously anything that I know<br />that’s gonna have a lot of double bass<br />or a lot of blast beats<br />and I want that transit to poke through<br />without the snare being hey<br />how you doing you like in your face all the time<br />I’m using this all right now<br />the one thing probably that I could say about this<br />that is a little bit annoying right now is<br />that<br />there is no way to automatically do a multiple output<br />routing into your thought when<br />when this loads you know<br />I have the outputs right now everything’s just one<br />and if you want to change the outputs<br />you have to go one at a time<br />and literally click through this<br />um I already told the guys like that you can’t this is<br />you know and they that’s already being worked on<br />they’re already developing right now<br />it will be in a future update<br />so whenever you’re watching this video<br />if you can do multiple output<br />riding at the click of the button<br />just ignore what I just said<br />but as it is right now it’s really annoying<br />so what I would highly suggest is do it once<br />and then save a preset like I’ve done here<br />cause the multiple output<br />routing will be saved in the preset<br />and that way you don’t have to do it again<br />so and then all you would have to do is you know<br />come in the Q base<br />and just make sure your outputs are all um<br />good to go and then you don’t have to sit here in the<br />in the UI anymore um<br />a small nitpick could be that uh<br />the U UI is not recizable<br />you know I’m on a 5K 27 inch monitor right now<br />and if I didn’t have my glasses on<br />I wouldn’t be able to make heads or tails of this<br />interface now if I’m on a 1080 p monitor<br />obviously this interface will be gigantic<br />and it would be totally fine<br />but as we’re moving on<br />for larger and larger resolutions<br />I think it would behoove the guys<br />that hurts to eventually make the UI resusable<br />so that due to our ginormous<br />you know 4K you know 37 inch monitors<br />this thing is gonna be this big<br />so to make it a little bit larger<br />I think it would be a good idea okay<br />other than that I really appreciate that it’s uh<br />it’s it’s it’s own stand alone thing you know<br />like I have no problem with contact personally<br />I literally don’t care<br />but it is cool that I don’t have to load contact<br />and then load the library<br />you know and like go through like a rapper<br />it’s just here’s the plug in its stand alone Bam<br />good to go um<br />I personally think that’s pretty cool so uh<br />the other things really is that if you click here um<br />you can literally get help from the internet<br />and the videos are very good<br />like if you have a question about any of these modules<br />that I glanced over and maybe you’re like huh<br />you can click that button you’ll get a detailed<br />detailed detailed like 2 to 3 minute video<br />they’re very good very good um<br />fantastic at explaining how the<br />how the technical side of everything works<br />so working with the drums awesome<br />they’re really fun to program because there’s so<br />much control okay<br />and the other thing too about the velocities<br />let me see if I can find this really quick<br />I will cut to it yeah here it is<br />so<br />all of you that have taken my Metal Drum Programming<br />Mastery course I showed you guys step by step<br />how to find the velocities in every sample<br />regardless of the drum library you’re looking at<br />here they have just the groups<br />here are the six dynamic groups<br />and here’s the velocity range<br />and they even spent time to suggest<br />which velocity range would help<br />for the type of notes that you’re doing<br />or type of beats that you’re doing<br />I think this is absolutely<br />something that every library needs to be doing<br />right now um<br />I wanna see dynamic range<br />PDF files of every library now<br />cause I’m tired of wasting my time<br />trying to figure out wow<br />is this the correct velocity layer for blah blah<br />blah blah blah I just wanna go oh<br />so I wanna do ghost notes so let’s see<br />we’re looking at 44 to 22<br />sweet let’s have a look that sounds pretty good oh<br />I can even go to 1 to 21 for super<br />super weak light ghost notes awesome<br />let’s try that<br />and they also talking about 16th and 32nd notes<br />IE for example the song is at 1:30 or 2:60 if you wish<br />and we are doing some really fast notes<br />I typically don’t go that low to 65 to 45<br />but it’s good to know<br />and understand where in the velocity range<br />I should be working so<br />big UPS to her strums for creating that table for me<br />and sending it to me and go here<br />by the way here are the dynamic groups<br />here’s the velocity range<br />don’t have to guess all right<br />let’s have a look<br />see at this really fast blast beat over here<br />um it’s one thing to hear in the mix<br />let’s just go ahead and hear it right now<br />so this particular blast beat that I’m simulating<br />is one that I used to play all the time um<br />it’s not even my ideas I started doing it because<br />when I was playing Henry on the nails<br />by uh<br />by the remains or dechristionize yes<br />I used to be a good drummer uh<br />I would do this particular blast beat or out<br />accent the first beat take a little bit of a break<br />and then blast through the rest<br />accent the first beat<br />I just basically sounding like this<br />okay and the reason I would do that is<br />because the band that I was singing at the time<br />just love blast beats<br />and that’s all the guy wanted to do<br />and instead of just using the symbol all the time<br />with the ride with the bell or whatever<br />I would just start doing it with the hands but<br />and so I was like let’s do the same thing here<br />so we’re really accentuating the 6<br />8 feel of the song when we do this<br />so sounds very musical<br />even though we’re just blasting away on the snare<br />so the snare velocity is quite low<br />we’re in the 90s to the 80s a little bit accentuate<br />accentuating accentuating oh my God<br />accenting English<br />um the main downbeat of every measure here<br />and then of course the hi hats are doing the same thing<br />cause this is simulating a right handed glass<br />and then just doing<br />the notes on the high hat<br />and all around the symbols and stuff<br />so yep nothing out of the ordinary here<br />um yeah<br />I really have nothing else to say about the drums<br />they uh they are affordable<br />you can buy the just the the drums itself<br />I think it’s like 60 bucks<br />um they have the different packs<br />they’re all add on packs<br />but you can just get the entire thing<br />uh actually just pull up the website here<br />yeah exactly<br />so the entire pack the horse jumps bundles 200 euro<br />however<br />you can choose between different versions of it<br />so the the software<br />the Hearst drums itself Hertz Drums light<br />all the different packs for example<br />if you only wanna do metal you only care about metal<br />you could do y’all<br />get the Hearst drums and then the white pack okay<br />so it’s still gonna be less than other companies were<br />you get just a sampler<br />and then you need to get the other packs right<br />which are a bit more expensive okay<br />then they have many groups many groups<br />this particular one specifically<br />not 4 4<br />so every type of group that’s not 4 4<br />and I know they’re coming out with more<br />and we might actually be working together on<br />something like that for a different pack<br />but yeah so Hertz Drums<br />you know<br />it’s it’s cool to see where the hell is the button<br />here it is it’s cool to see studios<br />you know that have been in the business for decades<br />and it worked with amazing bands and amazing drummers<br />who are putting their knowledge to use<br />in programs like this so that we can use them<br />you know if we don’t want a huge bombastic drum sound<br />we want something tight we could try this<br />now it’s very natural sounding the Toms are<br />very natural sounding the kicks are great snare has a<br />it’s a nice crack woody type of snare um and ah<br />the one thing I didn’t show you guys<br />let’s before we move along here<br />same thing with choosing the grooves okay<br />you can choose different different Mikes okay<br />and it’s basically different captures of the Tom<br />so Mike B for for this Tom<br />I can select different ones<br />so this is Tom 1 time 2 time 3 time 4 time 5<br />so the selection will be between Mike a B or C<br />so I can have Mike a or B or Mike a or Mike C<br />it’s very my new different<br />there are very my new differences<br />but are they are there<br />and again I think this is also based on the pack<br />let me so if I<br />so I’m clicking with the left mouse button to to um<br />audition it and if I wanted it<br />then I would click with the right mouse button<br />and then it’s selected now<br />and you can see it’s been loading<br />these are the whites now we move over here<br />this is the red pack<br />and then this would be the blue pack<br />it’s a good idea that<br />they made the colors a bit different here<br />and it’s exactly the same<br />so I’m auditioning this and like yeah<br />I don’t really know about that let’s try the red pack<br />what about the Blue pack<br />so<br />you can very quickly audition the different uh uh<br />samples which is awesome<br />because<br />some of the libraries out there are moving away from<br />some of the click clicking<br />where you could easily audition every sample<br />and it’s really annoying<br />tap to go to a drop down memory menu<br />every time to try a different snare drum<br />I can just click snare drum and go<br />just click click click click<br />find the one that I like and we’re done<br />so very great<br />that’s that’s I like it it’s great so there we go<br />that’s pretty much it guys<br />there’s really nothing else to discuss that it<br />it looks complicated but the UI is very distinct<br />it’s very easy to understand<br />everything is right where you need it<br />there’s nothing nothing more nothing less<br />and the main thing is that they sound great<br />so definitely would recommend them yes<br />Hertz Drums this is a pig review<br />Hertz Drums had pay me to make this video however<br />as I told them and as you guys know the videos<br />you don’t see our videos<br />where I didn’t like the product<br />and I think the product was cool<br />so I’ve used it already<br />I told you already in the beginning of the video<br />I’ve already snuck this into two different demo tracks<br />that you guys have heard on the channel already<br />I just didn’t tell you all right<br />so they’re good I like them<br />I’ve been using them and there<br />I will continue to use them okay<br />so link down below to check out the drums<br />and if you guys like I said<br />I’ve talked about programming these things and how<br />if you guys are struggling with programming<br />metal drums<br />don’t forget I have metal drum programming mastery<br />that’s also down below<br />a to Z on how to think like a drummer in program drums<br />cause I am a drummer um<br />and I know how to program drums<br />been doing it for 20 years<br />so if if you wanna get this<br />and then learn how to program and use this thing<br />you can you know<br />that’s a that’s a great great idea okay<br />so hearts drums check them out<br />give them a spin<br />and let me know what you think about them<br />alright so thank you guys for watching the video<br />I will see you guys in the next one</p>
